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Église Saint-Louvent de Doulevant-le-Château en Haute-Marne

Patrimoine classé
Patrimoine religieux
Architecture gothique flamboyant
Haute-Marne

Église Saint-Louvent de Doulevant-le-Château

    16 Rue Laloy
    52110 Doulevant-le-Château
Église Saint-Louvent de Doulevant-le-Château
Église Saint-Louvent de Doulevant-le-Château
Église Saint-Louvent de Doulevant-le-Château
Église Saint-Louvent de Doulevant-le-Château
Crédit photo : Robin Chubret - Sous licence Creative Commons

Timeline

Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
1700
1800
1900
2000
début XVIe siècle
Construction of the choir and transept
1606–1627
Construction of the nave
1857–1860
Changes by Coverux
1895
Restoration of the bell tower
29 août 2000
Registration Historic Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Church (Cad. AB 62): Registration by Order of 29 August 2000

Key figures

Couvreux - Architect Responsible for changes from 1857–60.

Origin and history

The Saint-Louvent church of Doulevant-le-Château, classified as a Historic Monument, has ancient parts dating from the early 16th century. The choir and transept, built in the flamboyant Gothic style, are the oldest elements of the building. These parts reflect the typical religious architecture of the French Renaissance, marked by delicate ornaments and broken arches.

The nave, added between 1606 and 1627, adopts a more sober classic style, with a facade decorated with picketing on the stones. This stylistic contrast illustrates the evolution of architectural tastes between the end of the Renaissance and the beginning of the modern era. The nave was profoundly altered between 1857 and 1860 by the architect Couvreux, who enhanced the roof and replaced the curved tiles with flat tiles.

The modifications of the 19th century also include the cover of the nave by arches of hollow brick coated, a technique then modern. This work partially obscured a 16th century rose, reflecting the compromises between preservation and modernization. Finally, in 1895, the roof of the bell tower was redone in zinc diamond, a typical intervention of the restorations of the time.

The church, owned by the commune, was inscribed in the Historical Monuments by order of 29 August 2000. Its hybrid architecture, combining flamboyant Gothic, classicism and 19th century interventions, makes it a remarkable example of the evolution of religious styles in Champagne-Ardenne. The works of Coverux, although controversial for their impact on medieval authenticity, reflect the technical and aesthetic concerns of the Second Empire.

External links