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Saint Nicholas de Boves Church dans la Somme

Patrimoine classé
Patrimoine religieux
Eglise de style classique
Somme

Saint Nicholas de Boves Church

    2 Rue Alphonse Tellier 
    80440 Boves
Église Saint-Nicolas de Boves
Église Saint-Nicolas de Boves
Église Saint-Nicolas de Boves
Église Saint-Nicolas de Boves
Église Saint-Nicolas de Boves
Église Saint-Nicolas de Boves
Église Saint-Nicolas de Boves
Église Saint-Nicolas de Boves
Église Saint-Nicolas de Boves
Crédit photo : Markus3 (Marc ROUSSEL) - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1804
Construction decision
6 juin 1808
Laying the first stone
1811
Frame and cover completion
1838
Interior decor unfinished
1914
Organ construction
29 octobre 1975
Historic Monument Protection
Aujourd'hui
Aujourd'hui

Heritage classified

Facades and roofs (AE 20, 21): inscription by order of 29 October 1975

Key figures

Étienne-Hippolyte Godde - Architect and contractor Designed the plans and supervised the work.
Hippolyte Couvreur - Associate architect Godde collaborator on the project.
Gustave Riquet - Decorative painter Author of the choir paintings.
Félix Van den Brande - Organ factor Constructor of the organ in 1914.
Antoine Caruelle - Entrepreneur mason Adjudicator of the works in 1807.

Origin and history

The Saint-Nicolas de Boves church, located in the Somme department, was built in the early 19th century to replace two rival parishes, Saint-Nicolas and Notre-Dame. In 1804, the municipality decided to build it, entrusting the plans to Étienne-Hippolyte Godde, an architect from Boves, associated with Hippolyte Couvreur. The first stone was laid in 1808, but the work, slowed down by problems of foundations, sank over several decades. The neo-classical building evokes a Greek temple with its doric-column portal and triangular pediment.

The technical difficulties delayed completion: in 1815 the location of the bell tower was still undefined, and in 1838 the interior decor remained unfinished. Local materials, originally planned, were replaced by Pont-Rémi stone. The church was partially protected as historical monuments in 1975 for its facades and roofs, thus recognizing its heritage value.

Inside, the nave is illuminated by high windows, while the choir, in cul-de-four, houses religious paintings by Gustave Riquet, representing local saints such as Fuscien and Gentien. The furniture includes a master altar, secondary altars, a pulpit to preach, and an organ built in 1914 by Felix Van den Brande, later modified by the Roethinger (1953) and Jean-Marc Cicchero (1983).

The building, located at the foot of a limestone cliff, dominates the village and appears on the Napoleonic cadastre of 1810. Two bell tower projects, dated 1806 and 1811, are preserved in the National Archives, reflecting architectural hesitation. The departmental archives also reveal the debates between the supporters of the reconstruction of Notre-Dame and those of the conservation of Saint-Nicolas in 1804.

Work continued throughout the 19th century: in 1825, the church, still unfinished, lacked furniture; In 1851, the architect Daullé supervised interior developments. Despite problems of solidity related to foundations, the building became a symbol of reconciliation for the community, uniting two historical parishes under one roof.

Today, the Church of St. Nicholas of Boves remains a remarkable example of neoclassical religious architecture in Picardia, mixing ancient influences and local traditions. Its quadrangular bell tower, its clock, and its murals make it a major heritage site of the Hauts-de-France, open to the public and always active in local life.

External links