Construction of Benedictine Priory limite XIe–XIIe siècle (≈ 1250)
Foundation of the Church and Monastery
XVe siècle
Architectural changes
Architectural changes XVe siècle (≈ 1550)
Changes in the existing structure
1700
Destructive floods
Destructive floods 1700 (≈ 1700)
Departure from the old parish church
23 septembre 1949
Historical monument classification
Historical monument classification 23 septembre 1949 (≈ 1949)
Official registration by decree
1998
Complete restoration
Complete restoration 1998 (≈ 1998)
Building conservation work
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church of Reilhac: registration by decree of 23 September 1949
Key figures
Information non disponible - No historical character named
Sources do not cite any specific actors
Origin and history
The church of Saint-Privat de Reilhac, located in the hamlet of Reilhac in Mazeyrat-d'Allier (Haute-Loire), is a Romanesque building built on the edge of the 11th and 12th centuries. It was part of a Benedictine monastery attached to the abbey of the Chair-God, and served as a traditional refuge for tired monks. This priory, the oldest possession of the Order of Cluny in the region, today preserves only its chapel, which became parish church after the destruction of the ancient by the floods of 1700.
The architecture of the church reflects its monastic origin: a unique nave preceding a cross covered with a dome on trunks, extended by a choir in cul-de-four. Outside, a built-up bell tower, rebuilt in the 19th century, dominates the building. The enlarged part, called the Grange aux tithes, bears witness to its agricultural and religious past. The church, rebuilt in the 15th century and restored in 1998, houses remarkable furniture, including 17th to 18th century statues and oil paintings.
Classified as a historical monument in 1949, the church of Saint-Privat illustrates the Romanesque heritage of Auvergnat and its link with the great medieval monastic orders. Its liturgical furnishings, including a silver frame (1863) and a golden wooden altar (17th–15th centuries), underscore its continuing role in local religious life. The oral tradition evokes its use as a place of spiritual retreat for the monks of the Chair-God, although the written sources remain limited on this point.