Fire destruction 1636 (≈ 1636)
Fire and military damage destroying the previous church.
22 septembre 1788
Visit of the Prince of Condé
Visit of the Prince of Condé 22 septembre 1788 (≈ 1788)
The prince visited the new church during his stay.
XVIIIe siècle
Reconstruction of the church
Reconstruction of the church XVIIIe siècle (≈ 1850)
Rebuilt in neo-classical style under local impetus.
XIXe siècle
Interior decoration
Interior decoration XIXe siècle (≈ 1865)
Addition of the main altar, woodwork and other elements.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
François-Louis d’Estourmel - Lord of Suzanne
Initiator of reconstruction in the 18th century.
Prince de Condé - Noble visitor
Visited the church in 1788 during his stay.
Origin and history
The church Saint-Rémy de Suzanne is a Catholic parish church located in the commune of Suzanne, in the Somme department, in the Hauts-de-France region. Its history was marked by partial destruction in 1636, due to a fire and military damage, requiring its subsequent reconstruction. This neo-classical monument thus embodies architectural and community resilience after the 17th century unrest.
The reconstruction of the church in the 18th century was initiated under the impetus of François-Louis d'Estourmel, local lord. This project resulted in a brick and stone building, preserving the original location but adopting a single-vessel elongated plan. The nave, illuminated by semicircular bays, and the polygonal apse choir reflect the aesthetic cannons of the time, mixing simplicity and harmony of volumes.
A notable event in the history of the church took place on 22 September 1788, when the Prince of Condé, while staying at Suzanne Castle, visited the new building. This fact illustrates the social and religious importance of the place, frequented by high-ranking personalities. Inside, the 19th-century décor, including a master altar, woodwork and a confessional from the collegiate Saint-Fursy in Peronne, bears witness to a rich artistic and liturgical heritage.
The exterior architecture is distinguished by its sober facade, pierced by a central gate surmounted by an octagonal bell tower with a d'ardoise style. The latter, massive and slender, is a visual landmark in the local landscape. The building, by its style and its history, is part of the religious and cultural heritage of Picardia, reflecting the architectural evolutions and historical upheavals of the region.
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