Crédit photo : Jean-Charles Lelong - Sous licence Creative Commons
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Timeline
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
…
1700
1800
1900
2000
4e quart XIIe siècle - 1er quart XIIIe siècle
Construction of church
Construction of church 4e quart XIIe siècle - 1er quart XIIIe siècle (≈ 1287)
Romanesque period and Gothic transition
XVIIe siècle
Painting of Christ with the Crown
Painting of Christ with the Crown XVIIe siècle (≈ 1750)
Addition of a baroque furniture element
26 mars 1924
Historical monument classification
Historical monument classification 26 mars 1924 (≈ 1924)
Official protection of the building and its components
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: by decree of 26 March 1924
Key figures
Information non disponible - No character cited
Sources do not mention sponsor or artist
Origin and history
The Sainte-Agathe church of Villers-Allerand, located in the diocese of Reims, is a Romanesque building built in the 12th century, with Gothic elements added between the 4th quarter of the 12th and the 1st quarter of the 13th century. Ranked a historic monument by decree of 26 March 1924, it is distinguished by its two painted chapels, its ancient Baptistery, and carved capitals representing, among others, the martyrdom of Saint Agathe and birds with human faces. His treasures also include seventeenth-century paintings, including a Christ with the crown of thorns surrounded by angels wearing the symbols of the Passion, as well as stalls of the choir decorated with carved lions.
The church belongs to the communal heritage of Villers-Allerand (Marne, Grand Est) and retains protected furniture, such as liturgical furniture and painted decorations. Its ranking in 1924 underlines its historical and artistic importance, especially for its transitional Romanesque elements towards Gothicism. The sources also mention its precise location at 2 Place des Déportés, in a village marked by its medieval and religious heritage.
The monument is part of the landscape of rural Champagne churches, often linked to the diocese of Reims. Its architecture combines Romanesque influences (nef, capitals) and Gothic influences (voûts, openings), typical of the pivotal period of the 12th to 13th centuries. The murals and sculptures, although partially preserved, bear witness to the decorative richness of the religious buildings of the period, often commissioned by local lords or parish communities. No explicit mention of sponsors or artists is available from the sources consulted.
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