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Church of the Holy Foy of Molompize dans le Cantal

Patrimoine classé
Patrimoine religieux
Eglise
Eglise romane
Cantal

Church of the Holy Foy of Molompize

    N122
    15500 Molompize
Église Sainte-Foy de Molompize
Église Sainte-Foy de Molompize
Crédit photo : Technob105 - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1800
1900
2000
XIIe siècle
Benedictine Foundation
avant 1838
Demolition of the bell tower
1840
Reconstruction of the nave
vers 1858
Building of the bell tower
28 décembre 2006
Registration MH
Aujourd'hui
Aujourd'hui

Heritage classified

The entire church (Box E 150): inscription by decree of 28 December 2006

Key figures

Moines bénédictins de Conques - Founders Originally the priory and church.
Architecte Magne - Manufacturer of the bell tower Initial project not completed due to lack of resources.

Origin and history

The Sainte-Foy church of Molompize, located in the Cantal, finds its origins in the 12th century under the impulse of the Benedictine monks of Conques, who founded a priory there. The original Romanesque building, characterized by a central nave in the middle of the hangar, the lower sides in quarter circle and a square choir vaulted in cradle, was completed by a circular apse and two apsidioles. Today, only the choir remains of this primitive construction, the other parts having undergone major transformations.

In the 19th century, the church underwent major changes. The nave and the side chapels were rebuilt in 1840, while the bell tower, demolished before 1838, was rebuilt around 1858 in a simplified version, for lack of means to carry out the original project of architect Magne. This bell tower is distinguished by a brick balustrade and a low slope roof. The ensemble was finally listed as historical monuments by order of 28 December 2006, recognizing its heritage value.

The church thus illustrates the architectural evolution of a medieval religious building, marked by its Romanesque heritage and subsequent adaptations. His choir, vaulted in cradle and finished with an apse, remains a rare testimony of early construction, while the reconstructed parts reflect the technical and financial constraints of the nineteenth century. The 2006 protection underlines its importance in the Cantalian and Auvergnat heritage.

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