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Église Sainte-Marie-Madeleine de Biot dans les Alpes-Maritimes

Patrimoine classé
Patrimoine religieux
Eglise gothique
Alpes-Maritimes

Église Sainte-Marie-Madeleine de Biot

    11 Place de l'Église 
    06410 Biot
Église Sainte-Marie-Madeleine de Biot
Église Sainte-Marie-Madeleine de Biot
Église Sainte-Marie-Madeleine de Biot
Église Sainte-Marie-Madeleine de Biot
Église Sainte-Marie-Madeleine de Biot
Église Sainte-Marie-Madeleine de Biot
Église Sainte-Marie-Madeleine de Biot
Église Sainte-Marie-Madeleine de Biot
Église Sainte-Marie-Madeleine de Biot
Église Sainte-Marie-Madeleine de Biot
Église Sainte-Marie-Madeleine de Biot
Église Sainte-Marie-Madeleine de Biot
Église Sainte-Marie-Madeleine de Biot
Église Sainte-Marie-Madeleine de Biot
Crédit photo : Baldrick44 - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1400
1500
1600
1700
1800
1900
2000
1367
Destruction of the first church
1470
Repopulation by King René
1506
Completion of the side door
1536
Completion of the main door
1638
Making wooden vants
1685
Mosaic of the pebbly court
1984
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Église Sainte-Marie-Madeleine (cad. A 133): Order of 5 December 1984

Key figures

Roi René - Sovereign and patron Ordonna repopulated Biot in 1470.
Louis Bréa - Nice painter Author of the altarpiece *Vierge du Rosaire* (circa 1505).

Origin and history

The Sainte-Marie-Madeleine church of Biot, located in the Alpes-Maritimes, replaces a first parish church destroyed in 1367 during the demographic crises of the fourteenth century. The village, depopulated, was repopulated in 1470 under the impulse of King René, who attracted genoese families. The reconstruction of the church then began, probably by employing elements of the earlier building. Its plan includes a nave with three arched vessels and three semicircular apses, characteristic of a transitional architecture between Gothic and Renaissance.

The side door of the church was completed in 1506, followed by the main door in 1536, while the wooden vantals date back to 1638. In the 17th century, side chapels were added, and the pebbly mosaic of the parvis was made in 1685. These adjustments reflect the evolution of the liturgical and aesthetic needs of the community. The building also houses major works, such as the altarpiece of the Virgin of the Rosary (circa 1505) painted by Louis Bréa, witness to Marian devotion and Italian artistic influence in the region.

Classified as a historical monument in 1984, the church illustrates the turbulent history of Biot, marked by destruction, reconstruction and a cultural identity combining Provençal and Genoese heritage. Its furniture, including paintings from the 16th and 17th centuries, and its hybrid architecture make it an emblematic heritage of Provence-Alpes-Côte d'Azur. Official protection underscores its historical, artistic and community value, rooted in the religious and social landscape of the region for more than five centuries.

External links