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Grand Hotel in Font-Romeu à Font-Romeu-Odeillo-Via dans les Pyrénées-Orientales

Patrimoine classé
Patrimoine de vilégiature
Grand hôtel classé MH

Grand Hotel in Font-Romeu

    878 Avenue Jean Paul
    66120 Font-Romeu-Odeillo-Via
Ownership of a private company
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Grand Hôtel de Font-Romeu
Crédit photo : Selbymay - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1910
Project launch
28 juillet 1913
Inauguration
1914-1918
Closing during the Great War
1939
Second closure
1975
End of hotel activity
30 mai 1988
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Facades and roofs; stairwell and its decorative elements, including the torch of the terrace (see AE 27): inscription by order of 30 May 1988

Key figures

Albert Lafargue - Project Initiator Perpignane professor at the origin of the palace.
Henri Martin - Senior Architect Designs the building in Art Nouveau style.
Louis Trinquesse - Associate architect Collaborate in the design of the Grand Hotel.
Jean-Raoul Paul - Head of the Railway Company Relaunched work in 1911.
Salvador Dalí - Guest Artist Inspired by the place for a painting (1938).
Pablo Picasso - Famous customer Attended the hotel in the 1920s.

Origin and history

The Grand Hotel de Font-Romeu was designed in 1910 by Albert Lafargue, a Perpignanese teacher, as a palace and casino in the forest of Calme. Associated with the Compagnie des Chemins de Fer du Midi, he launched an Anonymous Company to finance the project. The Parisian architects Louis Trinquesse and Henri Martin designed an Art Nouveau granite building, inaugurated on 28 July 1913 after three years of construction. Featuring 200 luxurious rooms, the hotel offers ground-breaking facilities: telegraph, telephone, radio station, as well as sports facilities (tennis, golf, ice rink) and a casino with baccara room.

Nicknamed the Paquebot des Cimes, the hotel attracts an international clientele (Spanish royal family, Prince of Monaco, Picasso, Dalí) and helps make Font-Romeu the largest climate station in Europe. Its success was interrupted by the two world wars (closure in 1914-1918 and 1939-1945). After 1945, the jet-set gradually deserted the establishment, leading to its partial sale in the 1950s. In 1975, he ceased all hotel activity and became a residence for private apartments.

The facades, the roof and the monumental stairwell, decorated with Art Nouveau decorations and ceramics, were classified as historical monuments in 1988. Since 1988, the Association Les Amis du Grand Hotel has been working to preserve this heritage, organizing events such as the Art Deco Day (since 2017) and guided tours. The building symbolizes the golden age of Pyrenean tourism, combining luxury, technical innovation and bold architecture.

The hotel inspired cultural works, such as the novel Cross of Blood at the Grand Hotel (2006) or the painting by Dalí Philosopher illuminated by the light of the moon (1938). Its history reflects the upheavals of the twentieth century, between tourist fascists, wars and heritage conversion. The cast-iron lamps of the terrace and the flares of the stairwell still bear witness to its past fascination.

External links