First known occupation 1544 (≈ 1544)
Family Bonnefont settles in the hotel.
Début XVIIe siècle
Major architectural changes
Major architectural changes Début XVIIe siècle (≈ 1704)
Construction door and staircase by Pradier d'Agrain.
1762
Change of ownership
Change of ownership 1762 (≈ 1762)
Baron d'Arlempdes orders paintings from Storni.
16 septembre 1949
Historical Monument
Historical Monument 16 septembre 1949 (≈ 1949)
Protection of the door and stairs.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Famille Pradier d'Agrain - Owners (1603-1760)
Sponsors door and staircase to the seventeenth.
Baron d'Arlempdes - Owner in 1762
Make Storni paint on the door.
Storni - Italian painter
Author of the paintings disappeared in 1762.
Origin and history
The Pradier d'Agrain Hotel, located in Puy-en-Velay, is a private hotel whose origins date back to the 16th century. In 1544, occupied by the Bonnefont family, he passed in 1603 into the hands of the Pradier d'Agrain family, who made major architectural changes at the beginning of the seventeenth century, including the entrance door and the large staircase. These elements, characteristic of the emerging classical style, testify to the influence of Italian models and the social ease of its owners.
The entrance door, decorated with a double frame of ionic pilasters and a mascaron, opens onto a vaulted vestibule leading to a monumental staircase with torso and baluster columns. The bearings, also vaulted, and the remains of mural paintings in the basement reveal a refined ornamentation. In 1762, the baron d'Arlempdes, a new owner, decorated the upper doors by the Italian painter Storni, works now missing. These details illustrate the evolution of artistic tastes and the social importance of this hotel in Puy-en-Velay.
Ranked a historic monument in 1949 for its door and staircase, Hotel Pradier d'Agrain embodies the civil architecture of the late Renaissance and 17th century. Its history reflects the family and cultural dynamics of the local nobility, between medieval heritages and openness to European influences. The accuracy of its location (24-26 rue Cardinal-de-Polignac) and its state of partial conservation make it a tangible testimony of this heritage.