East wing construction Première moitié du XVIIe siècle (≈ 1725)
Staircase with built characteristic nuclei.
1813
Acquisition by Berthier of Wagram
Acquisition by Berthier of Wagram 1813 (≈ 1813)
Integration into Grosbois domain.
Première moitié du XVIIIe siècle
Adding the South Wing
Adding the South Wing Première moitié du XVIIIe siècle (≈ 1825)
Wing in return for built square.
29 mars 1972
Historical Monument
Historical Monument 29 mars 1972 (≈ 1972)
Façades, roofs and garden protected.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs; the ordered garden (cf. C 43, 44): classification by order of 29 March 1972
Key figures
Berthier de Wagram - Owner in 1813
Annex the house to the estate.
Duc Maximilien de Bavière - Resident in the 19th century
Give his name to the pavilion.
Origin and history
The House called La Belle Image, located in Marolles-en-Brie in Île-de-France, is a two-phase building: the wing dates from the first half of the seventeenth century, recognizable by its stone staircase, while the south wing in return from square was added in the eighteenth century. This building derives its name from a nearby chapel dedicated to the Virgin, now extinct, and reflects the residential architecture of the period, with decorative elements such as 18th and early 19th century wallpapers, illustrating mythological scenes and chinery.
Acquired in 1813 by Berthier de Wagram, the property was integrated into the Grosbois estate and renamed Pavillon Max in honour of Duke Maximilien of Bavaria, who resided there. The monument, classified in 1972 for its facades, roofs and ordered garden, preserves traces of its aristocratic past, especially through its outbuildings, such as the Cornille farm, mentioned in the archives. Its history thus combines architectural heritage, successive transformations and links with major historical figures.
Protected features, such as facades, roofs and the garden, demonstrate the heritage importance of the site. Although the precise location is estimated to be mediocre (level 5/10), the House remains a remarkable example of the evolution of seigneurial residences in Île-de-France between the 17th and 19th centuries. The rare and well preserved wallpapers add additional artistic value to this listed monument.
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