Logo Musée du Patrimoine

All French heritage classified by regions, departments and cities

Building (Hotel Lejeune) à Paris 1er dans Paris 18ème

Patrimoine classé
Hotel particulier classé
Maison d'architecte
Bâtiment Art déco

Building (Hotel Lejeune)

    28 Avenue Junot
    75018 Paris 18e Arrondissement
Private property
Immeuble Hôtel Lejeune
Immeuble Hôtel Lejeune
Immeuble Hôtel Lejeune
Crédit photo : MOSSOT - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1927
Construction of hotel
21 septembre 1982
Protection of facades and roofs
Aujourd'hui
Aujourd'hui
2e quart XXe siècle
Construction period

Heritage classified

Fronts and roofs on streets and courtyards: inscription by decree of 21 September 1982

Key figures

Louis-Aimé Lejeune - Sculptor and sponsor Owner and user of the workshop.
Adolphe Thiers - Architect Designer of the private hotel.

Origin and history

The Lejeune Hotel is a mansion built in 1927 in the 18th arrondissement of Paris, on a plot bounded by avenue Junot and rue Simon-Dereure. Sponsored by the sculptor Louis-Aimé Lejeune, member of the Institute, it is designed by the architect Adolphe Thiers in a marked Art Deco style, with open facades and a bas-relief representing the sculptor in full work. The studio, still preserved, combines Art Deco elements and Art Nouveau interior decoration, reflecting the artistic duality of the era.

The construction is distinguished by its architectural diversity, including its varied holes and its interior patio garden, typical of bourgeois achievements of the 1920s. The facades and roofs, on streets and on courtyards, have been protected since 1982 as historical monuments, highlighting their heritage value. The hotel thus illustrates the evolution of artistic styles at the beginning of the twentieth century, between tradition and modernity.

Located in the Grandes-Carrières district of Montmartre, the Lejeune hotel is located in a rich historical environment, marked by Parisian artistic life. Its architecture reflects both the social status of its sponsor, a recognized sculptor, and the influence of Art Deco, a dominant movement in the inter-war period. The presence of a preserved workshop makes it a rare testimony to the artistic practices of the time.

External links