Construction of church 1120-1140 (≈ 1130)
Built by the canons of Poitiers on an ancient site.
XIVe siècle
Modification of the bell tower
Modification of the bell tower XIVe siècle (≈ 1450)
Added one floor and a stone arrow.
1756-1770
Restoration under the bishop of Beaupoil
Restoration under the bishop of Beaupoil 1756-1770 (≈ 1763)
Removal of arrow, consolidation of structure.
1840
Historical Monument
Historical Monument 1840 (≈ 1840)
Among the first protected buildings in France.
5 décembre 1998
UNESCO registration
UNESCO registration 5 décembre 1998 (≈ 1998)
Classified as a World Heritage Site of Compostela Roads.
2001
Archaeological excavations
Archaeological excavations 2001 (≈ 2001)
Discovery of a nearby Celtic temple.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Église Saint-Pierre : liste de 1840
Key figures
Calixte II - Pope (1119-1124)
Confirms the membership of Aulnay to the Poitiers canons.
Martial-Louis de Beaupoil de Saint-Aulaire - Bishop of Poitiers (1756-1769)
Launches a major restoration of the church.
Paul Abadie - Architect (11th century)
Directs restorations from 1854 to 1857.
Origin and history
The Saint-Pierre d'Aulnay church, located in the north-east of Charente-Maritime, was built between 1120 and 1140 on the initiative of the Poitiers Canons. It rises on an ancient site, once occupied by a Gallo-Roman pagan temple and then by a Christian sanctuary. Its architecture blends the Poitevin and Saintongese Romanesque influences, with a sculpted decoration of exceptional richness, especially on its gates and bedside. The building, ranked among the first French historic monuments in 1840, becomes an emblematic stop for pilgrims on Via Turonensis towards Santiago de Compostela.
In the Middle Ages, the church enjoys its strategic position at the crossroads of frequented roads, including the one linking Melle to Saintes, integrated with the jacquarian routes. Despite the conflicts between French and Anglo-Aquitaines, it remains preserved, suffering mainly from structural reinforcements in the 15th century to counter the imbalances caused by the addition of a floor and a stone arrow to the bell tower. The Wars of Religion leave some traces of iconoclasm, such as the destruction of carved heads, while the restorations of the 18th and 19th centuries (especially under Bishop Martial-Louis de Beaupoil de Saint-Aaule) partially alter his physiognomy, such as the suppression of the stone arrow in favor of a lighter structure.
The sculpture of Aulnay, made by three successive workshops, illustrates the artistic evolution of the 12th century, from geometric motifs and small figures subject to architecture to more free and expressive human silhouettes, announcing Gothic art. The western portal, masterpiece of the third workshop, deploys allegorical scenes (field work, fight of the Vertus and Vices, parable of the Virgins) in an innovative narrative style. Classified as a UNESCO World Heritage Site in 1998 for its role in the roads of Compostela, the church also embodies a dialogue between Eastern and Western cultures, visible in its capitals (ephants, basil) and its ancient influences.
The bedside, particularly remarkable, is decorated with carved modillons and windows where religious symbols (weighed of souls, Samson and the lion) and geometric motifs are mixed. Inside, the nave and transept house historic capitals, such as the scene of Adam and Eve or the battle of St.Georges, while the cross of the transept highlights the transition to the sacred by a tetramorph. The balanced dimensions of the building (45.30 m long, 6 m wide nave) and the quality of its limestone allowed exceptional conservation, despite the occasional restorations in the 19th and 20th centuries.
The enclosure surrounding the church, an ancient cemetery, reveals traces of a Gallo-Roman necropolis, with steles of legionnaires preserved in the museum of Saintes. A 14th century hospital cross, decorated with statues of apostles, recalls its status as a jacquarian stage, while recent excavations have uncovered a nearby Celtic temple. These discoveries highlight the cultural continuity of the site, from pagan cults to Christianization, through its role in local medieval life, between pilgrimage, ecclesiastical power (linked to Poitiers) and agricultural activities.
Finally, the artistic influence of Aulnay extends well beyond the Saintonge: its style influences churches such as those of Nuaillé-sur-Boutonne or Argenton-les-Vallées, while its themes (zodiac, Vertus and Vices) spread in more than fifty buildings between Loire and Gironde. Protected in 1840, restored on several occasions (notably by Paul Abadie in the 19th century), and registered at UNESCO in 1998, Saint Peter's Church remains a major testimony of Western Romanesque art, where there is a cross between local history, spirituality and sculptural innovation.
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Future
The Church of Saint Peter is one of the 71 monuments as well as 7 portions of paths have been inscribed since 1998 on the UNESCO World Heritage List under the official title of "Chemins de Saint-Jacques-de-Compostelle en France".
It is on the way to Via Turonensis or "Voice de Tours" which starts from the Saint-Jacques Tower in Paris.
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