Construction of house 1900-1912 (≈ 1906)
Period of construction by Pierre Renard.
26 septembre 1997
Historical Monument
Historical Monument 26 septembre 1997 (≈ 1997)
Protection of windows and facades.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The three skylights; corresponding facades and roofs on street (Box AH 306): inscription by decree of 26 September 1997
Key figures
Pierre Renard - Carpenter (company *Renard*)
Author of the skylights at 17.
Pierre Bertrand - Carpenter or contractor
Mentioned as possible architect.
Origin and history
The Companion-type skylight house, located in Orléans, is a building from the very beginning of the 20th century, built between 1900 and 1912. It is distinguished by its three high-rise windows, particularly elaborate, visible at the intersection of Boulevard de Chateaudun and Rue du Faubourg-Saint-Jean. These carpentry works, although not of practical use, demonstrate exceptional know-how and extensive aesthetic research.
The skylights were created by Pierre Renard, a 17-year-old carpenter, nicknamed Renard according to the companion tradition. He concentrated on complex techniques, such as the tenaille-linked capucine, the easel, or the trombone-arrowed crawling guard. These elements, purely demonstrative, were intended to prove his talent and ingenuity, without satisfying a functional necessity.
The house has been listed as a Historic Monument since 1997, with protection covering the three skylights, facades and corresponding roofs. Its official address, 49 rue des Beaumonts, and its location in the heart of Orleans make it a remarkable example of local artisanal heritage. The work is attributed to Pierre Bertrand, carpenter, although the source text also mentions Pierre Renard as author of the skylights, suggesting a possible confusion or collaboration between masters and companions.
The building illustrates the tradition of the Companion masterpieces, where artisans demonstrated their virtuosity through bold achievements. These practices, common at the beginning of the twentieth century, reflected both a medieval heritage and a desire to perpetuate know-how threatened by increasing industrialization.
Announcements
Please log in to post a review