Execution of Claude de La Porte 1557 (≈ 1557)
Sentenced for murder, exposed body
XVIe siècle
Construction of the genthommière
Construction of the genthommière XVIe siècle (≈ 1650)
Centre of the Seigneury of Malet
16 décembre 1680
Death of Aynard de Seyssel
Death of Aynard de Seyssel 16 décembre 1680 (≈ 1680)
Death in the strong house
1907
Farming
Farming 1907 (≈ 1907)
Property of the Dognin family
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Claude de La Porte - Lord of Malet
Sentenced to death in 1557
Marie de Lucinge - Wife of Claude de La Porte
Complice, remarried to Antoine de Seyssel
Aynard de Seyssel - Vicomte de Choisel
Died in Malet in 1680
Origin and history
The noble house of Malet is a former 16th century gentilhommière, located in the commune of Saint-Paul in Savoie. It was the heart of the seigneury of Malet, owned by the noble family of La Porte, lords of Malet and Saint Paul. This manor house, now reduced to the state of remains, illustrates the architecture of the small seigneurial residences of the modern era in Savoy.
In 1540, the mansion houses Claude de La Porte, seigneur of Malet, sentenced to death in 1557 for the murder of Nicolas Dapponex. His execution, particularly violent, was ordered by the Chambéry authorities: beheading, quartering of the body exposed in various symbolic places, including the Col du Chat. His wife, Marie de Lucinge, an accomplice in the crime, quickly remarried Antoine de Seyssel, Viscount de Choisel, to whom she brought the seigneury of Malet.
On 16 December 1680 Aynard de Seyssel, Viscount of Choisel and former officer, died in this strong house. Former resident of Choisel Castle, he was retired for his last years. At the beginning of the 20th century, in 1907, the mansion was more than a farm belonging to the Dognin family, originally from Saint Paul, marking the end of its aristocratic status.
This monument bears witness to the social and architectural transformations of Savoy, from a seigneurial residence to an agricultural building. Its history also reflects the violence and family alliances characteristic of the Savoyard nobility during the Renaissance.
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