Construction of first pavilion XVIe siècle (≈ 1650)
Initial pavilion destroyed in 1792
1792
Destruction of the flag
Destruction of the flag 1792 (≈ 1792)
Event related to the French Revolution
vers 1825
Neo-Gothic reconstruction
Neo-Gothic reconstruction vers 1825 (≈ 1825)
Style inspired by England
19 novembre 1985
Registration for historical monuments
Registration for historical monuments 19 novembre 1985 (≈ 1985)
Protection of facades and interior decorations
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs of the housing body; Ground floor rooms, excluding kitchen; North facade of the communes (C 435): inscription by decree of 19 November 1985
Key figures
Information non disponible - No character cited
Sources do not mention names
Origin and history
The mas de Christin, located in Junas in the Gard, is an emblematic building of the 1st quarter of the 19th century, listed as historical monuments in 1985. This monument is distinguished by its hybrid architecture, mixing neo-Gothic and renaissance influences, with a facade decorated with arches with Venetian-inspired accolades. Its semicircular monumental pediment, evoking a comtal crown, as well as its pinnacles and decorative hooks, make it a rare example of "neo-gothic English" architecture in the Occitanie region.
Originally, a first pavilion was erected in the sixteenth century, but it was destroyed in 1792, probably during revolutionary unrest. Reconstructed around 1825, the mas adopted a rectangular plan with a protruding central forebody, marked by a low ogival door and bays adorned with "drop over" keys. The interior, organized around an entrance hall with a corner fountain, comprises five en-lined rooms served by a monumental staircase with two straight flights. The commons, also rebuilt in the neo-Gothic style, complete this coherent architectural ensemble.
The building is unique in its protected elements: facades and roofs of the house body, decorated rooms on the ground floor (excluding kitchen), and the northern facade of the communes. These features, combined with its turbulent history, bear witness to the architectural evolutions and aesthetic tastes of the early 19th century in southern France. The mas also illustrates the adaptation of local elites to European artistic currents, especially English, in a region traditionally marked by Mediterranean styles.