Construction of building 3e quart XVe siècle (≈ 1562)
Flamboyant Gothic period with renaissant influences.
16 février 1930
Historical monument classification
Historical monument classification 16 février 1930 (≈ 1930)
Protection of facades and roofs by stop.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs: ranking by official journal of 16 February 1930
Key figures
Famille d’Hoffelize - Owner under the Old Scheme
Owned the armorized column bed.
Origin and history
The Vic-sur-Seille Currency Hotel, also known as the Episcopal Currency, is an emblematic building of the 3rd quarter of the 15th century, located in the municipality of Vic-sur-Seille, in Moselle (Great East region). Although his name evokes a monetary function, there is no historical evidence that he was actually used to hit coins. Its architecture combines a flamboyant Gothic decor with renaissant influences, making it a rare testimony of this pivotal period in the medieval art of Lorraine. The facades and roofs, remarkably preserved, were classified as historical monuments by order of 16 February 1930, highlighting their exceptional heritage value.
Under the Ancien Régime, the building belonged to the family of the local noble line of the Hoffelize family. In particular, the interior housed a column bed decorated with their weapons, a symbol of their social status. Despite its name, the building seems to have had a residential or representative rather than economic vocation. Today, its location at 2 Bis Rue Vignon and its state of conservation make it a point of interest for the study of aristocratic habitat in Lorraine at the end of the Middle Ages. Available sources (Wikipedia, Monumentum) however mention uncertainties about certain aspects of its history, such as its initial use.
The 1930 official protection concerns only external elements (facades and roofs), without extension to interior fittings. This distinction reflects the classification criteria of the time, often centered on the architectural envelope. The monument is part of a regional context marked by the influence of the prince-bishops of Metz, although its direct link with the episcopal authority remains undocumented in current sources. Its hybrid style, between late Gothic and renaissant first touches, illustrates cultural exchanges in Europe in the 15th century, a period of transition between two major artistic epochs.
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