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Nimes Arenas à Nîmes dans le Gard

Patrimoine classé
Vestiges Gallo-romain
Arènes romaine
Gard

Nimes Arenas

    Place des Arènes
    30000 Nîmes
Ownership of the municipality
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Crédit photo : Heilfort Steffen - Sous licence Creative Commons

Timeline

Antiquité
Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
Révolution/Empire
XIXe siècle
Époque contemporaine
100
200
300
400
500
1100
1200
1800
1900
2000
vers 90 apr. J.-C.
Construction of the amphitheatre
IVe siècle
Transformation into a fortress
Moyen Âge - XIXe siècle
Fortified village (*castrum arena*)
1809
Imperial Decree on Restoration
1863
Reopening as a modern arena
1865
Discovery of the Cruciform Room
Aujourd'hui
Aujourd'hui

Heritage classified

Amphitheatre or Arenas : list by 1840

Key figures

Titus Crispius Reburrus - Presumed architect or financier Name engraved in the cruciform room.
Henri Révoil - Architect-restaurant (11th century) Directed the excavations and restorations in 1865.
François Ier - King of France (XVI century) Recommended the release of the arenas.
Richard Pellé - Archaeologist (Inrap) Recent searches (2017, cruciform room).

Origin and history

The Nîmes arenas are a Roman amphitheatre built in late 1st century (c. 90 AD) in the colony of Nemaususus, now Nîmes. Intended for public entertainment such as gladiator fighting, it could accommodate 24,000 spectators. Its elliptical architecture (133 m long, 101 m wide) and its two-level arcade facade make it a Roman engineering model, inspired by the Colosseum but adapted to local resources.

In the Middle Ages, the building was transformed into a fortified village (the castrum arena), housing 220 houses, two churches and a castle. The steps served as a stone quarry, while the arcades were blocked to make it a fortress. It was only in the 19th century, under the impulse of Francis I and then Napoleon III, that the houses were destroyed and the monument restored, notably by architect Henri Révoil (1863).

Today, the arenas combine heritage and modernity: they host bullfighting, concerts (Nîmes Festival), and historical reconstructions like the Roman Days. Ranked as a Historic Monument in 1840, they also house unique remains, such as the cruciform room under the track, discovered in 1865, or antique decorations (laden romulus and Remus, bull busts).

The site, managed by Edeis since 2021, offers accessible tours (audioguides, tactile models) and facilities for people with disabilities. Despite continuous restorations (until 2034), certain parts, such as the littic or the vomittoria, retain their Roman authenticity. The amphitheatre remains a symbol of romance in Occitanie, competing with that of Arles.

Architecturally, the building is distinguished by its almost intact internal circulation system, 60 arcades per level, and its velvet (toilet stretched on 120 masts to protect spectators). Recent excavations (Inrap, 2017) revealed inscriptions attributing its construction to Titus Crispius Reburrus. Biodiversity is also remarkable, with the Roman clausilia, a gastropode introduced from Italy during its construction.

Culturally, the arenas hosted legends (Miles Davis, Tina Turner, Rammstein) and television events (The Song of the Year, Telethon). Their current capacity (13,000 seats) makes it a major place for ferias (Pentecôte, Vendanges) and sports (Coupe Davis, fencing). Since 2013, individual visits have been prohibited for security reasons, following several suicides.

External links