First written entry 1259 (≈ 1259)
Appears under *Ecclesia Santi Maritini de Rupe*.
XIVe siècle
Adding a second nave
Adding a second nave XIVe siècle (≈ 1450)
Larger south side of the chapel.
1644
Transformation into hermitage
Transformation into hermitage 1644 (≈ 1644)
Initiated by Abbé Honoré Cuiro.
1790
Revolutionary closure
Revolutionary closure 1790 (≈ 1790)
Anticlerical laws against non-parochial buildings.
1801
Reopening of the hermitage
Reopening of the hermitage 1801 (≈ 1801)
After relaxing anticlerical laws.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Honoré Cuiro - Abbé
Turned the chapel into hermitage (1644).
Origin and history
The church of Saint Martin de la Roque, called Sant Martí de la Roca in Catalan, is a Romanesque chapel located on a hill south of Camelas, in the Eastern Pyrenees. Mentioned in 1259 as Ecclesia Santi Maritini de Rupe, it served as a place of worship for the surrounding hamlets before being gradually abandoned. Its strategic location offers stunning views of the Mediterranean, the Canigou Massif and the Roussillon Plain.
Originally, the building consisted of a unique nave and a semicircular apse, typical of Romanesque art. In the 14th century, a second nave was added south side, while its bedside was decorated with leesenes and blind archatures. The chapel, of trapezoidal shape (6.50 m x 9.60 m with its dedicated housing), reflects medieval architectural adaptations to local needs.
Transformed into a hermitage in 1644 by Abbé Honoré Cuiro, it housed hermits in harsh living conditions until the Revolution. Closed in 1790 under anticlerical laws, it reopened in 1801 after the easing of measures. Access is now via a historic path or a dirt road from Camelas, near Thuir.
The chapel embodies both a Romanesque religious heritage and a witness to the eremetic practices in Roussillon. Its gradual abandonment, its conversion into hermitage, and its revolutionary closure illustrate the social and religious upheavals in the region between the Middle Ages and the modern era.
Its sober architecture, marked by successive additions, and its geographical isolation make it an emblematic site of Catalan heritage. The presence of blind leesenes and archatures at bedside underscores the influence of local novel workshops, while its history reflects the tensions between worship, abandonment and spiritual reappropriation.
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