Church attestation début XIIe siècle (≈ 1204)
First mention of the Romanesque building.
fin XVe siècle
Construction chapel Saint Jean-Baptiste
Construction chapel Saint Jean-Baptiste fin XVe siècle (≈ 1595)
Addition north of the church.
XVIe siècle
Construction chapel Notre-Dame-de-Pitié
Construction chapel Notre-Dame-de-Pitié XVIe siècle (≈ 1650)
Addition south of the church.
XVIIe siècle
Reconstruction of the central span
Reconstruction of the central span XVIIe siècle (≈ 1750)
Modification between the two chapels.
1783 et 1789
Door and porch repairs
Door and porch repairs 1783 et 1789 (≈ 1789)
Work documented before the Revolution.
1871
Death of parish priest Chardon
Death of parish priest Chardon 1871 (≈ 1871)
Stone tomb always visible.
1875
Closure of the old cemetery
Closure of the old cemetery 1875 (≈ 1875)
Transfer to a new site.
première moitié XIXe siècle
Reconstruction of the bell tower
Reconstruction of the bell tower première moitié XIXe siècle (≈ 1925)
Current block of square section.
1968
Repair of the apse
Repair of the apse 1968 (≈ 1968)
Slight interior restorations.
années 2010
Movement monument to the dead
Movement monument to the dead années 2010 (≈ 2010)
Moved across the street.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Curé Chardon - Serving the parish
Tomb stone dated 1871.
Léon Servonnet - Sculptor of the monument to the dead
Work inaugurated in 1932.
Origin and history
The Saint-Maurice church of Saint-Maurice-de-Beynost, of Romanesque origin, is attested from the beginning of the twelfth century. Its initial structure includes a single nave and an apse. The first modifications took place at the end of the 15th century with the addition of a northern chapel dedicated to Saint John the Baptist, followed in the 16th century by a southern chapel dedicated to Notre-Dame-de-Pitié. These additions, although suggesting a transept, do not form one.
In the 17th century, the span between the two chapels was rebuilt, and repairs were carried out on the entrance door and porch in 1783 and 1789. The bell tower, initially in poor condition, was completely rebuilt during the first half of the 19th century. In 1968, a slight renovation of the abside was carried out. The church, surrounded until 1875 by the old cemetery, still preserves the tombstone of the parish priest Chardon (died 1871), as well as a statue pedestal of the Virgin stolen in 1988.
The building, built mostly in pebbles arranged in opus spicatum, houses partially classified furniture, including a bust-reliquary of Saint Francis-Regis, a Virgin of Pitié, and a 19th century painting depicting Saint Maurice on horseback. Outside, a sundial adorns the south wall of the abside, while two mission crosses (1850) and the monument to the dead, moved in the 2010s, recall its anchoring in local life. Today, the church is used only on rare occasions, the Catholic cult being held mainly in the Church of Our Lady, built in the 1970s.
Architecturally, the church is characterized by its lack of transept despite its two lateral chapels. The bell tower, square and without arrow, dominates the whole. Two small buildings surround the abside: a sacristy to the south and a boiler room to the north. The old washhouse, located opposite the square, and the remains of the cemetery recall its central role in the community until the 19th century.
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