Laying the first stone 6 juillet 1880 (≈ 1880)
Beginning of neo-Gothic construction.
22 avril 1883
Church Consecration
Church Consecration 22 avril 1883 (≈ 1883)
Completion of initial work.
1933
Adding wall paintings
Adding wall paintings 1933 (≈ 1933)
Work by Jean-Baptiste David in the choir.
1988-1989
Installation of stained glass windows
Installation of stained glass windows 1988-1989 (≈ 1989)
Creations of Van-Guy de Tours.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Rodier et Boret - Architects
Designers of the neo-Gothic church.
Jean-Baptiste David - Curé and painter
Author of murals (1933).
Van-Guy - Master glassmaker
Creator of stained glass windows (1988-1989).
Origin and history
Saint-Pierre de Saint-Pierre-des-Nids Church is a neo-Gothic Catholic building located in the department of Mayenne, Pays de la Loire. Its construction was launched in 1880 to replace a medieval church deemed too small to accommodate the faithful. The first stone was laid on 6 July 1880, and the building was consecrated on 22 April 1883 by architects Rodier and Boret. This project marked a modernization of the place of worship, adapted to the liturgical needs of the time.
The church is characterized by its Gothic Revival architecture, typical of the 19th century, with a choir surrounded by a walk-in. In 1933, wall paintings were added by Jean-Baptiste David, then parish priest, illustrating scenes of the life of Saint Peter. Later, in 1988 and 1989, the master glassmaker Van-Guy de Tours realized the stained glass windows, representing the Twelve Apostles (with Saint Paul instead of Judas), as well as Marian apparitions such as those of the Salette, Pontmain and Lourdes.
Located in Place de la Poôtée, on the edge of Route départementale 121, the church is part of the landscape of the village of Saint-Pierre-des-Nids. Its history reflects the architectural and religious evolutions of the region, while preserving artistic elements added during the twentieth century. The successive modifications, such as paintings and stained glass windows, testify to the parishioners' attachment to embellishing their places of worship.
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