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Sanctuary of Notre-Dame des Vernettes en Savoie

Savoie

Sanctuary of Notre-Dame des Vernettes


    Peisey-Nancroix

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
1702
Construction of the first oratory
1722-1742
Construction of the current chapel
1733
Wall paintings by Luca Valentino
1738-1742
Making the major retable
25 juillet 1958
Classification of the statue
27 juin 1983
Registration of the sanctuary
Aujourd'hui
Aujourd'hui

Heritage classified

Registered MH

Key figures

Luca Valentino - Painter Author of the wall paintings (1733).
Joseph-Marie Martel - Sculptor Creator of the major retable (1738-1742).

Origin and history

The Sanctuary of Notre-Dame des Vernettes is a religious building located at 1,816 meters above sea level in the municipality of Peisey-Nancroix, Savoie. Built in the early eighteenth century, it replaces a first oratory dedicated to Notre-Dame-de-Pitié, patron saint of lepers, erected in 1702 and then destroyed. The current Baroque and rococo chapel was built between 1722 and 1742 to house the statue of the Virgin of Pitié, an object of devotion during an annual pilgrimage every 16 July.

The sanctuary is organized around a large chapel decorated with murals made by Luca Valentino in 1733, and a major altarpiece made of polychrome wood, by Joseph-Marie Martel (1738-1742). A cross path leads to a small chapel near a well-known miraculous source, linked to the healing of a Peisey resident in the 17th century. The statue of the Virgin, listed as a historical monument in 1958, and the building, inscribed in 1983, illustrate Savoyard Baroque art.

The shrine has been a spiritual place of the Tarentaise since the seventeenth century. The pilgrimage of 16 July, centered on the procession of the Virgin of Mercy, perpetuates a tradition of Marian devotion. Its spectacular location, between the Aiguille Grive and the Bellecôte massif, reinforces its sacred and landscaped character, typical of Alpine shrines.

The lateral altars, dedicated to Saint John the Baptist and Saint Nicholas (1750), complete the architectural ensemble. The successive restorations of paintings and liturgical furniture testify to the active preservation of this heritage. The site, documented in 1875 by sketches, remains a symbol of faith and religious art in Savoy.

External links