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Château de Saint-Symphorien dans les Deux-Sèvres

Patrimoine classé
Patrimoine défensif
Demeure seigneuriale
Château
Deux-Sèvres

Château de Saint-Symphorien

    Place René Cassin
    79270 Saint-Symphorien
Crédit photo : Lionel NOULIN - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1815-1820
Making wallpapers
4 janvier 2001
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

The two rooms on the ground floor of the house, adorned with panoramic wallpapers, with their decor (Box F 52): classification by order of 4 January 2001

Origin and history

The Château de Saint-Symphorien, located in the town of Deux-Sèvres, is a property originally built in the 18th century, but deeply renovated in the first half of the 19th century. It adopts the appearance of an imposing bourgeois house, soberly embellished by two round towers. Its originality lies in its interiors, where two rooms on the ground floor house exceptional panoramic wallpapers, made between 1815 and 1820. These sets, in camaieu or polychrome, represent views of Venice in grey or green, as well as a unique Alpine landscape, hand painted without repeated patterns, probably on order.

The protected elements of the castle, classified as Historic Monument by order of 4 January 2001, are limited to these two rooms and their decorations. The property today belongs to the commune of Saint-Symphorien. The wallpapers, reflecting the taste for picturesque landscapes and craft techniques of the period, illustrate the influence of travel and decorative art in the early 19th century. Their conservation underlines the heritage importance of this place, despite a geographical location deemed to be of medium accuracy (level 6/10).

The castle is part of a regional context marked in the 19th century by the transformation of aristocratic or bourgeois residences into symbols of social status. In the Deux-Sèvres, as elsewhere in New Aquitaine, these homes often reflected the rise of a bourgeoisie enriched by trade, agriculture or administrative burdens. Panoramic wallpapers, then fashionable, were used to display cultural refinement, while evoking distant places like Venice or the Alps, inaccessible to the majority of the local population. These interior decorations, now protected, offer an overview of the aesthetic aspirations and artisanal networks of the time.

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