Construction of the current castle 1610-1616 (≈ 1613)
Jean de Sève built the castle on a feudal motte.
1632-1633
Making frescoes
Making frescoes 1632-1633 (≈ 1633)
Pietro Ricchi painted six rooms of the castle.
1793
Revolutionary fire
Revolutionary fire 1793 (≈ 1793)
Damage to roofs and loss of archives.
1983
Classification ex officio
Classification ex officio 1983 (≈ 1983)
Protection by the State despite opposition by the owner.
1998-2003
Restoration campaign
Restoration campaign 1998-2003 (≈ 2001)
Work by Simonet-Lenglart and Almendros.
2020
Sale
Sale 2020 (≈ 2020)
The castle is offered for sale.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire castle and its interior decoration; the terrace to the north and the courtyard floor; the facades and roofs of the communes; moat and its two bridges; the terraced garden (cad. A 436, 437): classification by decree of 11 July 1985 - The farm and the park (see A 433-435, 438-446, 448, 449): registration by order of 28 August 2001
Key figures
Jean de Sève - Sponsor and manufacturer
Receiving finance, built the castle (1610-1616).
Pietro Ricchi - Painter of frescoes
Author of Baroque decorations (1632-1633).
Mathieu de Sève - Son of John of Sève
Order the frescoes in Ricchi.
Johanny Chavel - Controversial Owner (1972-1973)
Truand Lyonnais, organize a memorable party.
Marc Simonet-Lenglart et Pierre-Albert Almendros - Restaurateurs (1998-2003)
Save and restore the castle.
Origin and history
The castle of Fléchères, located in Fareins in the Ain, is built between 1610 and 1616 by Jean de Sève, receiver of Lyon's finances, on the site of an ancient medieval strong house defending a ford on the Saône. This ambitious project, carried out in a single campaign, incorporates defensive elements such as deep moats and a drawbridge, while adopting a baroque residential style. The castle secretly houses a Protestant temple on the second floor, authorized by the high justice status of the seigneury, reflecting the Calvinist convictions of its sponsor.
The interior frescoes, painted between 1632 and 1633 by Pietro Ricchi for Mathieu de Sève, son of Jean, represent mythological scenes, huntings and Protestant allegories, such as the room of the Parade evoking the entrance of Henri IV in Lyon. Covered over the centuries, these works were restored at the end of the twentieth century, revealing a unique testimony of Lyon baroque art and reformed symbols. The castle, passed into the hands of families like the Pupil de Craponne or the Artaud de la Ferriere, escaped revolutionary destruction despite a fire in 1793.
In the 19th century, a landscaped park was built (1820), marking the last major transformation of the estate. In the 20th century, the castle went through a turbulent period: bought in 1972 by Johanny Chavel, a Lyon villain, it was the scene of a memorable celebration before being threatened with destruction in the 1980s. Saved by an ex officio ranking in 1983, it was restored between 1998 and 2003 by Marc Simonet-Lenglart and Pierre-Albert Almendros. Since then, the castle, open to the public, has also served as a setting for films such as Les Lyonnais (2010) or Madame de Sévigné (2023).
The architecture of the castle mixes medieval heritage (angle towers, moats) and 17th century innovations, such as the main house with three bodies flanked by towers, or the castral chapel visited in 1654 by the archbishop of Lyon. The communes, the stone bridge and the terraced gardens complete a listed historical monument in 1985, while the farm and park have been registered since 2001. The hydraulic system and traces of the old French-style gardens bear witness to its history.
The castle of Flécheres is also distinguished by its Protestant history: the hidden temple, accessible from the house, was a discreet place of worship under the Old Regime. The frescoes of Ricchi, such as the Works of Hercules (allegory of Henry IV protector of Protestants), or the chimney carved of theologal virtues, underline this religious dimension. Today, the estate combines cultural tours, film shoots and memory of a military, residential and spiritual heritage.
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