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Saint Peter's Church of Bivilliers à Bivilliers dans l'Orne

Patrimoine classé
Patrimoine religieux
Eglise
Orne

Saint Peter's Church of Bivilliers

    Le Bourg
    61190 Tourouvre au Perche
Église Saint-Pierre de Bivilliers
Église Saint-Pierre de Bivilliers
Église Saint-Pierre de Bivilliers
Crédit photo : Unozoe - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1600
1700
1800
1900
2000
1224
Construction of the nave
1640
Installation of the sundial
XVIIe siècle
Added choir
18 août 2006
Registration for Historic Monuments
Aujourd'hui
Aujourd'hui

Heritage classified

The entire church (Box A 201): inscription by decree of 18 August 2006

Key figures

Eustache Lebouc - Curé de Bivilliers Installed the sundial in 1640
Marie Madeleine de la Peltrie - Sponsor or sponsor Added the choir in the 17th century

Origin and history

The church Saint-Pierre de Bivilliers, located in the Orne in Normandy, is a religious building whose nave dates back to 1224, bearing Romanesque origins. Built in the typical local stone of Perche, it embodies the modest architecture of the country churches of this period. His choir, added in the seventeenth century, marked a late stylistic evolution, reflecting the liturgical and artistic transformations of the modern era.

The monument preserves furniture of interest, such as 16th century baptismal fonts, a sundial dated 1640 – probably installed by Eustache Lebouc, parish priest – as well as a high altar and 17th century altarpiece. These objects illustrate the rich heritage and the cultural continuity of the place throughout the centuries. The building, a communal property, was listed as a historical monument in 2006, recognizing its architectural and historical value.

Saint-Pierre Church is part of the religious landscape of Perche, an area marked by a strong rural identity and a preserved medieval heritage. Its late inscription (2006) highlights a recent awareness of the need to protect these modest but emblematic buildings. The sundial of 1640, in addition to its practical function, recalls the importance of measuring time in the parish life of Ancien Régime, where the church rhythmized the daily life of the inhabitants.

The mention of Marie Madeleine de la Peltrie, associated with the addition of the choir in the seventeenth century, evokes the networks of religious patronage of the time, often carried by local figures or congregations. Although its exact role is not detailed in the sources, this architectural intervention shows the dynamics of renovation and beautification of the churches at this time, linked to the Counter-Reform or individual initiatives.

External links