Construction of the nave 1224 (≈ 1224)
Romanesque Nef in Perch's Grison
1640
Installation of the sundial
Installation of the sundial 1640 (≈ 1640)
Installed by Eustache Lebouc, parish priest
XVIIe siècle
Added choir
Added choir XVIIe siècle (≈ 1750)
Transformation by Marie Madeleine de la Peltrie
18 août 2006
Registration for Historic Monuments
Registration for Historic Monuments 18 août 2006 (≈ 2006)
Protection of the entire building
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Box A 201): inscription by decree of 18 August 2006
Key figures
Eustache Lebouc - Curé de Bivilliers
Installed the sundial in 1640
Marie Madeleine de la Peltrie - Sponsor or sponsor
Added the choir in the 17th century
Origin and history
The church Saint-Pierre de Bivilliers, located in the Orne in Normandy, is a religious building whose nave dates back to 1224, bearing Romanesque origins. Built in the typical local stone of Perche, it embodies the modest architecture of the country churches of this period. His choir, added in the seventeenth century, marked a late stylistic evolution, reflecting the liturgical and artistic transformations of the modern era.
The monument preserves furniture of interest, such as 16th century baptismal fonts, a sundial dated 1640 – probably installed by Eustache Lebouc, parish priest – as well as a high altar and 17th century altarpiece. These objects illustrate the rich heritage and the cultural continuity of the place throughout the centuries. The building, a communal property, was listed as a historical monument in 2006, recognizing its architectural and historical value.
Saint-Pierre Church is part of the religious landscape of Perche, an area marked by a strong rural identity and a preserved medieval heritage. Its late inscription (2006) highlights a recent awareness of the need to protect these modest but emblematic buildings. The sundial of 1640, in addition to its practical function, recalls the importance of measuring time in the parish life of Ancien Régime, where the church rhythmized the daily life of the inhabitants.
The mention of Marie Madeleine de la Peltrie, associated with the addition of the choir in the seventeenth century, evokes the networks of religious patronage of the time, often carried by local figures or congregations. Although its exact role is not detailed in the sources, this architectural intervention shows the dynamics of renovation and beautification of the churches at this time, linked to the Counter-Reform or individual initiatives.
Announcements
Please log in to post a review