Crédit photo : Marek Ślusarczyk (Tupungato) Photo gallery - Sous licence Creative Commons
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Timeline
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
…
1800
1900
2000
1347-1351 (peste noire)
Interruption of work
Interruption of work 1347-1351 (peste noire) (≈ 1349)
Stopping work because of the epidemic.
1er quart XIVe siècle
Construction begins
Construction begins 1er quart XIVe siècle (≈ 1425)
Launch of the Gothic site on the Romanesque church.
1868
Installation of stained glass windows
Installation of stained glass windows 1868 (≈ 1868)
Installation of existing stained glass windows.
16 octobre 1906
Historical Monument
Historical Monument 16 octobre 1906 (≈ 1906)
Official protection of the unfinished building.
2006
Restoration of the carillon
Restoration of the carillon 2006 (≈ 2006)
Rehabilitation of bells and mechanisms.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: Order of 16 October 1906
Key figures
Maître d’œuvre anonyme - Suspected architect
Also linked to the Cathedral of Narbonne.
Louison (fondeur) - Artisan of bells
Melted the bumblebee (mi3) in 1867.
Lévêque-Amans (fondeur) - Artisan of bells
Melted two bells in 1882.
Origin and history
The Collège Saint-Étienne de Capestang, located in the Hérault, is a Gothic building that began construction in the 1st quarter of the 14th century. It was erected on the remains of the Romanesque church Saint-Félix of the 11th century, whose west wall remains. The construction site, ambitious, planned one of the largest buildings in the region, but was interrupted after the completion of the choir and the first two spans, due to the plague and lack of funds. Only these parts, with their side chapels, were completed, leaving the church unfinished.
The monument shares architectural similarities with the Cathedral of Saint-Just-et-Saint-Pasteur in Narbonne, suggesting the same masterpiece. The height of the vaults (26.50 m) and the 43-metre bell tower, home to five bells, including a bell of 1867, testify to its initial size. The porch, later added (probably in the 16th century), prolongs the unfinished nave. Ranked a Historical Monument in 1906, the college illustrates the challenges of the major medieval construction sites, marked by health and financial crises.
Romanesque remains, such as the western wall of Saint-Félix, coexist with Gothic elements, including vaulted side chapels and lancet windows. The seven-sided, lower than the nave, and the 1868 stained glass windows complete this hybrid ensemble. The failure of the project, visible in the transept primers, reflects the upheavals of the first half of the 14th century, when the region was hard hit by the black plague and economic difficulties.
The bell tower, 43 metres high, houses a carillon of five bells, four of which are stolen (restored in 2006) and a ringing from 1559. These bells, melted between the 16th and 19th centuries by craftsmen such as Louison or Bishop Amans, highlight the technical and liturgical evolution of the building. Their presence, combined with the diaphragm wall's oculus (with clover and quadrilobes), attests to the artistic and functional richness of the college, despite its incomplete state.
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