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Abbey of Montmajour à Arles dans les Bouches-du-Rhône

Patrimoine classé
Patrimoine religieux
Abbaye
Eglise romane
Bouches-du-Rhône

Abbey of Montmajour

    Route de Fontvieille
    13200 Arles
Crédit photo : Airair - Sous licence Creative Commons

Timeline

Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
900
1000
1100
1200
1300
1400
1700
1800
1900
2000
948
Foundation of the Abbey
Xe–XIIe siècles
Medieval Golden Age
1369
Construction of the Pons de l'Orme tower
1703
Beginning of Saint Maur Monastery
1786
Secularization of the Abbey
1840
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

The buildings of the Middle Ages of the ancient abbey: list of 1840 - The chapel of Sainte-Croix : classification by list of 1840 - The 17th and 18th century buildings: classification by decree of 1 October 1921

Key figures

Teucinde - Founder of the Abbey Aristocrat Burgundy, donor in 948.
Pons de l’Orme - Abbot and builder Constructed the fortified tower (14th century).
Guillaume II de Provence - Count of Provence He was buried in the crypt in 1018.
Cardinal de Rohan - Last Abbé Commandataire Abbed until secularization (1786).
Henri Révoil - Architect-restaurant Restaura the Abbey in the 19th century.
Pierre Mignard - Maurist architect Designed the classical monastery (1703).

Origin and history

Saint-Pierre de Montmajour Abbey, founded in 948 by Teucinde, a Burgundy aristocrat, quickly became one of the richest in Provence. As early as the 11th century, it extended through donations and an annual pilgrimage, the "forgiving of Montmajour", attracting up to 150,000 faithful. Its architectural development includes an crypt, an abbey church, and a novel cloister, reflecting its religious and economic influence.

In the Middle Ages, Montmajour served as a necropolis for the Counts of Provence, such as Guillaume II and Adelaide, buried in his crypt before being transferred to the cloister. The abbey, often in conflict with Arles for territorial rights, flourished until the 13th century. Wars and crises (great companies, conflicts with Raimond de Turenne) push the monks to strengthen the monastery, especially with the Tower of Pons de l'Orme (14th century).

In the Old Regime, the abbey underwent reforms and reconstructions. In the 17th century, the Maurists modernized the buildings, adding a classical monastery (1703) designed by Pierre Mignard. A fire in 1726 required repairs led by Jean-Baptiste Franque. Secularized in 1786, sold as a national property in 1791, it was restored in the 19th century by Henri Révoil. Today, it illustrates the architectural and spiritual evolution of Provence, from the Middle Ages to the 18th century.

The site includes several remarkable elements: the Saint-Pierre hermitage (XI century), semi-troglodyte with Corinthian capitals; The Abbatial Church of Notre-Dame (XII century), of Provencal Romanesque style, with a unique concentric crypt; and the Chapel of Sainte-Croix (XII century), in the form of a quadrilobe, linked to the pilgrimage. The Pons Tower of the Orma (14th century), fortified dungeon, and the monastery of Saint Maur (18th century), bear witness to military and monastic adaptations.

Ranked a historic monument in 1840, the abbey inspires artists and filmmakers, as Van Gogh described it in 1888 as a "romantic" place bathed in "gold rain". It also serves as a stage for films (Le Lion en hiver, 1967) and series (The Walking Dead: Daryl Dixon, 2023). Its architectural heritage, combining Romanesque, Gothic and classical, makes it a symbol of the rich Provencal heritage.

Abbés, often appointed by Counts, Archbishops or the Pope, play a key role in its history. Among them, Pons de l'Orme (14th century), builder of the tower, or the cardinal of Rohan (18th century), last abbot before secularization. Internal conflicts, such as the quarrel with the priory of Saint-Antoine-en-Viennois in the 15th century, also marked its institutional evolution.

External links