Construction of the castle 1520-1530 (≈ 1525)
Edited by Albret's family.
12 mars 1892
Historical monument classification
Historical monument classification 12 mars 1892 (≈ 1892)
Official protection order.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Castel de la Hierce : classification by decree of 12 March 1892
Key figures
Famille d'Albret - Sponsors
Owners and builders of the castle.
Flamenc de la Hierce et du Puy - Former fief
First families associated with the site.
Dumoulin de Laplante - Owners (4 generations)
Last mentioned owners.
Origin and history
Castel de la Hierce is a Renaissance building built in the first half of the 16th century (circa 1520-1530) in Brantôme, Dordogne. It was erected by the Albret family, of which it was one of the fiefs, on the left bank of the Dronne. The castle is distinguished by its original foundations: it rests on natural caves, integrated into its structure. Its architecture combines a central house body, a scauguuette to the west, a loggia and a circular tower to the east, as well as a rectangular tower pierced with bays and sled windows. A semicircular oratory, arched with warheads, completes the whole at the back of the circular tower.
The castle, entirely preserved since its construction, illustrates the Renaissance style with its decorative elements (balusters, tumblers) and its symmetry. Ranked a historic monument by decree of 12 March 1892, it was originally a fief of the Flamenc of Hierce and the Puy, before passing into the hands of the Sainte-Marie families and then Dumoulin of Laplante over four generations. There is no archaeological evidence to suggest the anterior presence of a medieval mansion on the site. Nearby, a limestone cliff dug from caves overlooks the Dronne, adding a remarkable natural setting.
Comparison with the Puy-Marteau mansion, located east of Brantôme, reveals similarities in the decorative treatment of windows, suggesting a regional artistic influence. The Castel de la Hierce, covered with flat tiles (except the stone oratory), thus embodies a typical example of Renaissance pleasure architecture in Périgord, combining functionality and refined aesthetics.
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