Crédit photo : Unknown early XXe - Sous licence Creative Commons
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Timeline
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1000
1100
1200
1300
1400
1500
1600
1700
1800
1900
2000
Xe siècle
Assumption of connection with Saint Mayeul
Assumption of connection with Saint Mayeul Xe siècle (≈ 1050)
Attribution possible to descendants of Abbé de Cluny
1326
First Written Archives
First Written Archives 1326 (≈ 1326)
Attested Possession of the Counts of Forcalquier
12 avril 1418
Assignment to Lancelot de Pontéves
Assignment to Lancelot de Pontéves 12 avril 1418 (≈ 1418)
Benanger's gift from Forcalquier
XVe siècle
Construction begins
Construction begins XVe siècle (≈ 1550)
Medieval style, plan in "U"
Fin XVIe siècle
Renovations of Pompey of Pontevès
Renovations of Pompey of Pontevès Fin XVIe siècle (≈ 1695)
Pregnant rearrangement and scallops around 1590.
fin XIVe–XVIe siècle
Renaissance expansions
Renaissance expansions fin XIVe–XVIe siècle (≈ 1695)
Work by Angel 1 and Gabriel de Pontevès
1725
Death of Jean-François Elzéar
Death of Jean-François Elzéar 1725 (≈ 1725)
Discontinuation of work, absence of heir
XVIIe siècle
French Gardens
French Gardens XVIIe siècle (≈ 1750)
Developments by Louis de Pontevès
1er avril 1812
Repurchase by Joseph Louis d'Anselme
Repurchase by Joseph Louis d'Anselme 1er avril 1812 (≈ 1812)
Start of long family possession
6 mai 1945
Acquisition by the Work of Cavaillon
Acquisition by the Work of Cavaillon 6 mai 1945 (≈ 1945)
Brief possession before resale
20 septembre 1946
Repurchase by the municipality of Cavaillon
Repurchase by the municipality of Cavaillon 20 septembre 1946 (≈ 1946)
Per 1 100 000 francs
1987
Acquisition by the Luberon Park
Acquisition by the Luberon Park 1987 (≈ 1987)
Current owner of the castle
3 septembre 1996
Historical monument classification
Historical monument classification 3 septembre 1996 (≈ 1996)
Official Site Protection
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Castle in total (housework with its decorations, towers, walls, secondary buildings); built parts of the garden (north-west terraces, monumental staircase, basin, nymph, sewn corridor); right-of-way of the park as delimited on the plan known as Anselme plan (cad. D 114, 121 to 124, 126 to 140, 142, 143, 149 to 156, 645, 667, 669, 670): classification by order of 3 September 1996
Key figures
Bérenger de Forcalquier - Medieval Lord
Donor of the castle in 1418
Lancelot de Pontéves - Chambellan and first Pontéves owner
Receives the domain in 1418
Ange 1er de Pontevès - Lord and Builder (late 14th)
Expands the castle (3 wings)
Gabriel de Pontevès - Transformer (XVI century)
Redesign of facades and windows
Pompée de Pontevès - Modernizer (late 16th)
Work on enclosures and scallops
Louis de Pontevès - Marquis de Buoux (XVIIe)
Create French Gardens
Saint Mayeul - Abbé de Cluny (Xth century)
Hypothetical link via the Bot family
Guillaume de Forcalquier - Count of Forcalquier
Possessor certified in 1326
Jean-François Elzéar de Pontavès - Last heir Pontéves
Murder without offspring in 1725
Joseph Louis d’Anselme - Post-Revolution Owner (1812)
Keep the castle until 1945
Origin and history
The Château de Buoux, located in the Luberon massif in Provence, finds its origins in the Middle Ages, although their attribution remains uncertain. Some historians, such as René Bruni, suggest a link with the Bot family, descendants of Saint Mayeul (abbé de Cluny in the 10th century), who allegedly owned the lands of Castellet at Buoux. However, archives of 1326 confirm the domination of the Counts of Forcalquier, notably Guillaume, over this part of the Vaucluse. The initial construction, dated from the 15th century, presents a typical "U" plan of medieval architecture, although its location at the bottom of the valley, near a passageway, suggests an earlier commercial or religious vocation, such as an abbey.
In 1418, Bérenger de Forcalquier gave up the estate, including the castle, to his chamberlain Lancelot de Pontéves, marking the beginning of a series of major transformations. At the end of the 14th century, Angel 1 of Pontevès undertook an ambitious expansion, adding three wings (entry, reception, apartments) and a covered passage between the courtyards. His descendant, Gabriel de Pontevès, rearranged in the sixteenth century the facades and windows of the north and east wings, while Pompey of Pontevès, around 1590, modernized the enclosure and the scauguettes. The 17th and 18th centuries saw interior arrangements and the draft of a classic wing, interrupted by the French Revolution after the death without heir of Jean-François Elzéar de Pontavès in 1725.
The castle changed hands several times in the 19th century: bought in 1812 by Joseph Louis d'Anselme, he remained in his family until World War II. In 1945, it was acquired by the "Work of the Cavaillon holiday colonies", then by the municipality the following year, before being classified as a historical monument in 1996. Since 1987, the Luberon Regional Natural Park has been owned. Today, the site hosts a holiday centre dedicated to the environment (Leo Lagrange network) and a regional wildlife conservation centre, while undergoing restoration campaigns.
The architecture of the castle reflects its many metamorphoses: a medieval base enriched with Renaissance elements (symmetric wings, decorated facades) and French-style gardens on terraces, designed in the seventeenth century by Louis de Pontevès. The park, originally furnished in classical style with monumental staircase and fountain, completes this set. The old buildings, east of the main house, define two internal courtyards, showing successive extensions. The current work, led by the Luberon Park, aims to preserve this hybrid heritage, both seigneurial and environmental.
The origins of the castle remain partially enigmatic, oscillating between monastic hypothesis (link with Saint Mayeul) and commercial or defensive vocation. Medieval archives, rare before the 15th century, leave a doubt about its primary function. On the other hand, its evolution in modern and contemporary times is better documented, illustrating the adaptation of a medieval building to the tastes and needs of the following centuries, until its present ecological conversion.
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