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Château de Villers-sous-Saint-Leu dans l'Oise

Oise

Château de Villers-sous-Saint-Leu

    12 Allee Gérard de Nerval
    60340 Villers-sous-Saint-Leu

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1800
Sale to Jean Jacques Digelman
1906
Acquisition by Mr Berson
19 septembre 1966
Registration for historical monuments
Aujourd'hui
Aujourd'hui

Heritage classified

Registered MH

Key figures

Duc de Mascrany - Former owner Owned the castle during the Revolution.
Jean Jacques Digelman - Acquirer in 1800 Belgian having bought the castle.
Monsieur Berson - Owner in 1906 Villersois and his descendants still live there.
Auguste Rodin - Sculptor interested Attempted to buy the castle without success.

Origin and history

Villers-sous-Saint-Leu Castle is an elegant 18th-century residence in the municipality of the same name, in the Oise department. This monument illustrates the aristocratic residential architecture of this period, marked by sober lines and a landscape often associated with the manor farms of the region. His history reflects the upheavals of the French Revolution, during which he changed hands under the compulsion of political events.

In 1800, the castle was sold to a Belgian, Jean Jacques Digelman, after belonging to the Duke of Mascrany, forced to separate it. A century later, in 1906, he was acquired by Monsieur Berson, a resident of Villers-sous-Saint-Leu whose descendants still reside in the village. At the same time, the famous sculptor Auguste Rodin showed his interest in what he described as "a superb mansion farm", but the transaction would not succeed. The castle was finally included in the inventory of historical monuments in 1966, recognizing its heritage value.

The castle embodies the social and economic transitions of the region, moving from the hands of the aristocracy to bourgeois and then local owners. Its architecture and history make it a witness to the changes in land ownership and artistic tastes, between rural heritage and residential ambition. Today, it remains a symbol of the heritage of Hauts-de-France, linked to both local history and national figures like Rodin.

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