Architectural changes Fin du Moyen Âge / Renaissance (≈ 1213)
Piercing of bays and disappearance of the round path.
1270
First *castrum* mentioned
First *castrum* mentioned 1270 (≈ 1270)
Castral site prior to the castle.
1340
Construction of the castle
Construction of the castle 1340 (≈ 1340)
Built by the family of Faudoas on a castrum.
XVe siècle (2e moitié)
Major changes
Major changes XVe siècle (2e moitié) (≈ 1550)
Door and staircase added.
XVIe–XVIIe siècles
Window drilling
Window drilling XVIe–XVIIe siècles (≈ 1750)
Changes to existing openings.
1994
Historical monument classification
Historical monument classification 1994 (≈ 1994)
Official protection of French heritage.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Castle (C 110): classification by order of 30 December 1994
Key figures
Famille de Faudoas - Initial sponsors
Builders of the castle in 1340.
Renaud Camus - Contemporary Owner
Turns the castle into a cultural centre.
Jean-Paul Marcheschi - Exposed Artist
Painter and sculptor present at the castle.
Origin and history
The castle of Plieux, built in the 14th century in Gers, is an emblematic example of Gascones castral architecture. Built in 1340 by the Faudoas family on the site of an ancient castrum or a castral motte, it is distinguished by its rectangular central body flanked by two square towers: the Saint-Mère tower (26 meters) to the northwest and the Saint-Clar tower to the southeast, the latter having been abrased at an indefinite time. These towers, named after neighbouring villages, suggest a role of visual surveillance and access control, with the Holy Mother Tower probably serving as a fortified entrance to the village.
The castle, originally conceived as a fortress poor in openings, undergoes major transformations in the late Middle Ages or in the Renaissance. Berries were pierced to offer unobstructed views to the Pyrenees, but these changes weakened the structure, resulting in the disappearance of the round path and its mâchicoulis on consoles. The remaining mâchicoulis, present on three sides, illustrate a late evolution of the gascon castles, which were generally without them. Owned by successive noble families (de Faudoas, Galard de L'Isle-Bouzon, Poubersac, Rochechouart), the castle had a military vocation, without any notable seats.
In the contemporary era, writer Renaud Camus made it a place of residence and a cultural centre, hosting contemporary art exhibitions, including the works of Jean-Paul Marcheschi. Ranked a historic monument in 1994, the castle embodies both a preserved medieval heritage and a current cultural dynamic. Its history reflects the architectural and functional adaptations of the Gascon fortresses, between defence, seigneurial residence and symbol of power.
Historical sources mention a castrum as early as 1270, but the current building dates back to the middle of the 14th century, with changes in the 15th, 16th and 17th centuries (doors, stairs, windows). The castle was integrated into a regional defensive system, probably overlooking an entrance to the village. Its internal organization, with a longitudinal split wall, separated the floors dedicated to the defence (level 2), the seigneurial dwelling (level 3) and the upper military devices (level 4: round road, crenellations, scalds).
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