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Riblaye Castle à Montauban dans le Tarn-et-Garonne

Riblaye Castle

    570 Chemin de Riblaye
    82000 Montauban
Private property

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
XVIIe siècle
Initial construction
Fin XIXe siècle
Major renovation
Début XXe siècle
Decoration of the chapel
19 juillet 2007
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

The facades and roofs of the castle and, inside, the large living room decorated with a golden leather hanging; the south courtyard with moat, gate and garden greenhouse; the west terrace garden; the entire chapel (cf. EK 74, 75, 134, 171): registration by order of 19 July 2007

Key figures

Comte Léopold de Gironde - Owner and patron Redesigned the castle in late 19th century
Paul Pujol - Decorative painter Author of the chapel paintings

Origin and history

Riblaye Castle, located in Montauban, Occitanie, was built in the 17th century on the outskirts of the city. From this period remains the south facade, organized around a courtyard with moat, typical of local brick architecture. This historic vestige masks a vast house rebuilt at the end of the 19th century, profoundly transformed to house the art collections of Count Léopold of Gironde.

At the beginning of the 20th century, the count appealed to artist Paul Pujol to decorate the chapel of the castle of a painted ensemble, adding a major artistic touch to the building. The castle thus illustrates the evolution of the tastes and uses of an aristocratic residence, mixing classical heritage and modern redevelopments. Its interiors, decorated with gilded and polychrome leather hangings, testify to this desire for cultural prestige.

Ranked Historic Monument in 2007, the castle protects its facades, roofs, as well as interior elements such as the large living room and its leather hanging. The south courtyard with its moat, the gate, the garden greenhouse, the west terrace garden and the chapel (in its entirety) are also part of the preserved elements. This site embodies both local history and the adaptation of an ancient heritage to aesthetic aspirations of the 19th and 20th centuries.

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