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Church of Saint-Cyr à Saint-Cirgues-de-Malbert dans le Cantal

Cantal

Church of Saint-Cyr

    9 Place Saint Cyr
    15140 Saint-Cirgues-de-Malbert

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1700
1800
1900
2000
XIe-XIIe siècles
Initial construction
fin XVIe-début XVIIe siècle
Wall paintings
début XVIIIe siècle
Enlargement
1812
Reconstruction of the bell tower
28 décembre 1978
Official protection
Aujourd'hui
Aujourd'hui

Heritage classified

Church including murals (Box C 125): inscription by decree of 28 December 1978

Key figures

Information non disponible - No character cited Sources do not mention any actors

Origin and history

Saint-Cyr Church, located in Saint-Cirgues-de-Malbert, Cantal, is a Romanesque building built in the 11th and 12th centuries. This small rural sanctuary, typical of Auvergne religious architecture, was enlarged in the early eighteenth century by the addition of two side chapels forming a false transept. These changes reflect the evolution of the liturgical and aesthetic needs of the local community.

The murals preserved in the lateral arches of the choir date from the late 16th and 17th centuries, reflecting post-Renaissance artistic vitality in this remote region. The western gate in the middle of the wall and the south gate, both equipped with 17th century vantals, illustrate the persistence of Romanesque forms while integrating Baroque elements. The bell tower, rebuilt in 1812, marks a more recent intervention in the history of the monument.

The church was listed as historic monuments by order of 28 December 1978, thus recognizing its heritage value. Inside, the ceiling of the nave and the walls of the choir keep traces of ancient painted decorations, while the blind arches of the choir still carry remains of paintings. These decorative elements, though fragmentary, offer an overview of local artistic practices throughout the centuries.

This monument reflects the religious and social history of the Haute-Auvergne, where rural churches served as community and spiritual centres. Its hybrid architecture, combining primitive novels and classical additions, illustrates the successive adaptations to the needs of parishioners and to the dominant artistic currents. Protection in 1978 preserved this material testimony of Auvergne rural life since the Middle Ages.

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