Initial construction XIe-XIIe siècles (≈ 1250)
Original Romanesque building built
fin XVIe-début XVIIe siècle
Wall paintings
Wall paintings fin XVIe-début XVIIe siècle (≈ 1725)
Choir and nave decoration
début XVIIIe siècle
Enlargement
Enlargement début XVIIIe siècle (≈ 1804)
Addition of two side chapels
1812
Reconstruction of the bell tower
Reconstruction of the bell tower 1812 (≈ 1812)
Clocher-peigne redone
28 décembre 1978
Official protection
Official protection 28 décembre 1978 (≈ 1978)
Registration for historical monuments
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church including murals (Box C 125): inscription by decree of 28 December 1978
Key figures
Information non disponible - No character cited
Sources do not mention any actors
Origin and history
Saint-Cyr Church, located in Saint-Cirgues-de-Malbert, Cantal, is a Romanesque building built in the 11th and 12th centuries. This small rural sanctuary, typical of Auvergne religious architecture, was enlarged in the early eighteenth century by the addition of two side chapels forming a false transept. These changes reflect the evolution of the liturgical and aesthetic needs of the local community.
The murals preserved in the lateral arches of the choir date from the late 16th and 17th centuries, reflecting post-Renaissance artistic vitality in this remote region. The western gate in the middle of the wall and the south gate, both equipped with 17th century vantals, illustrate the persistence of Romanesque forms while integrating Baroque elements. The bell tower, rebuilt in 1812, marks a more recent intervention in the history of the monument.
The church was listed as historic monuments by order of 28 December 1978, thus recognizing its heritage value. Inside, the ceiling of the nave and the walls of the choir keep traces of ancient painted decorations, while the blind arches of the choir still carry remains of paintings. These decorative elements, though fragmentary, offer an overview of local artistic practices throughout the centuries.
This monument reflects the religious and social history of the Haute-Auvergne, where rural churches served as community and spiritual centres. Its hybrid architecture, combining primitive novels and classical additions, illustrates the successive adaptations to the needs of parishioners and to the dominant artistic currents. Protection in 1978 preserved this material testimony of Auvergne rural life since the Middle Ages.