Logo Musée du Patrimoine

All French heritage classified by regions, departments and cities

Church of St. Martin of Brillevast dans la Manche

Patrimoine classé
Patrimoine religieux
Eglise gothique
Clocher en bâtière
Manche

Church of St. Martin of Brillevast

    15 D115E1
    50330 Brillevast
Église Saint-Martin de Brillevast
Église Saint-Martin de Brillevast
Église Saint-Martin de Brillevast
Église Saint-Martin de Brillevast
Église Saint-Martin de Brillevast
Église Saint-Martin de Brillevast
Église Saint-Martin de Brillevast
Crédit photo : Cerium - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1600
1700
1800
1900
2000
XIIe siècle
Assignment to the Abbey of Montebourg
1636
Construction of the tower
1793-1794
Revolutionary Pillage
1836
Baptism of the current bell
1903
Neogothic reconstruction
13 mars 1978
Ranking of the bell tower
Aujourd'hui
Aujourd'hui

Heritage classified

Clocher (Case B 85): Order of 13 March 1978

Key figures

Meaux Gréard - Sieur de Champaigne, benefactor Finished the tower in 1636.
Jacques Lefèvre de Grainthéville - Brillevast parish priest before 1632 Supervised the construction of the tower.
Jean Baptiste Daboville - Constitutional priest then concordataire Restored after the Revolution, ordered a painting.
Louis-Jean-Baptiste Hamel - Curé of Brillevast in 1832 Participated in the baptism of the bell in 1836.
F. Hucher - 20th century glass artist Author of a stained glass window with the Guardor's weapons.

Origin and history

The Saint-Martin church of Brillevast, located in the Manche department in Normandy, finds its origins in the Middle Ages with Romanesque parts dating from the thirteenth century. It was founded in the 12th century at the Abbey of Montebourg and was deeply marked by successive reconstructions and additions, notably the tower-clocher of 1636 financed by Meaux Gréard, Sieur de Champaigne, and dedicated to Saints Roch and Adrien. The parish registers, from 1572 onwards, reveal an active religious life, with parish priests like Richard Jourdain or Jacques Lefèvre, the latter supervising the building of the tower.

In the 17th century, the Gréard family, and then by alliance the Le Gardeur de Croisilles, played a key role in the beautification of the church, founding chapels (like that of Saint Sebastian in 1706) and building a bell in 1703. The French Revolution marked a violent turning point: the church was looted in 1793-1794, its bells and liturgical objects confiscated or destroyed. Constitutional priest Jean Baptiste Daboville, who had been in office since 1791, returned to his post after the Concordat and contributed to the restoration of the cult, notably by ordering a painting for the high altar.

The 19th and 20th centuries saw important transformations, with a neo-Gothic reconstruction in 1903 giving the church its present appearance as a "military fortress", similar to that of Clitourps. The bell tower, classified as a historical monument in 1978, embodies the typical architecture of the Cotentin with its high slope building and its massive foothills. The glass windows, such as those illustrating the life of Saint Martin or the martyrdom of St Sebastian, as well as the furniture (medieval statues, marble altars, stone pulpit) bear witness to a preserved artistic and religious heritage.

The lateral chapels, dedicated to Saint Sebastian (invoked against epidemics) or to the Virgin, reflect local devotions, while the current bell, baptized in 1836 by the parish priest Hamel and sponsored by the family Le Gardeur de Croisilles, symbolizes the continuity of parish traditions. The baptismal fonts, retables and stained glass windows of the 20th century (some of which were signed by F. Hucher) complete this panorama of a building marked by nearly nine centuries of history.

The partial protection of the church (classified enclosure) and the richness of its furniture (like the 14th century Virgin with Child, classified in 1987) underline its heritage importance. The archives also mention acts of popular piety, such as the 19th century votive painting linked to the tomb of Thomas Helye, illustrating the central role of the church in the spiritual and community life of Brillevast.

External links