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Église Saint-Martin de Montagnac-sur-Lède dans le Lot-et-Garonne

Patrimoine classé
Patrimoine religieux
Eglise romane et gothique
Lot-et-Garonne

Église Saint-Martin de Montagnac-sur-Lède

    D221
    47150 Montagnac-sur-Lède
Église Saint-Martin de Montagnac-sur-Lède
Église Saint-Martin de Montagnac-sur-Lède
Église Saint-Martin de Montagnac-sur-Lède
Église Saint-Martin de Montagnac-sur-Lède
Église Saint-Martin de Montagnac-sur-Lède
Église Saint-Martin de Montagnac-sur-Lède
Église Saint-Martin de Montagnac-sur-Lède
Église Saint-Martin de Montagnac-sur-Lède
Crédit photo : MOSSOT - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIIe siècle
Romanesque Foundation
1271
First written entry
XVe siècle
Gothic reconstruction
1601
Postwar devastation of religion
1850
Major restoration
7 janvier 1926
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church: registration by decree of 7 January 1926

Key figures

Saint Martin de Tours - Church Patron Initial dedication of the parish.
Nicolas de Villars - Bishop of Agen (early 17th) Witness of his ruin in 1601.
Jules Mascaron - Bishop of Agen (XVIIe) Author of a descriptive report.
L. M. (1545) - Curé de Vauris Sponsor of a side chapel.
Georges Tholin - Historician (XIXe) Author of a study on his architecture.

Origin and history

The church Saint-Martin de Montagnac-sur-Lède, located in the Lot-et-Garonne department in Nouvelle-Aquitaine, finds its origins in the 12th century. Founded under the name Parrochia de Montanhaco according to the Seizimentum of 1271, it was dedicated to Saint Martin de Tours, with a feast set for November 11. From this Romanesque period, only today remains the circular apse of the choir, marked by capitals decorated with leaves and volutes excavated. The foothills, added later, bear witness to the structural changes suffered by the building over the centuries.

The church suffered deeply during the Wars of Religion. In 1601 Bishop Nicolas de Villars described it as "any discovery", with an altar ruined and no religious service. A report by Bishop Jules Mascaron even described it as a "country church", 7-man-long and 3-wide in a valley surrounded by 15 to 16 Huguenot houses. The nave, rebuilt in the 15th century in a late Gothic style, was embellished with side chapels and dogive crosses, contrasting with the Romanesque choir.

Restorations continued in the 18th and 19th centuries. In 1739 the bishop of Chabannes pointed to vaults punctured in the chapels, while in 1769 Jean-Louis d'Usson de Bonnac attested to their good condition. A major restoration in 1850 enhanced the roof by one metre, replaced the panel with a vault, and pierced six windows in the nave. Two bells, dated from 1761 and 1884 (the latter weighing 900 kg), still rhythmize parish life today. The building, listed as a historic monument in 1926, also houses a Renaissance altar in golden wood and classified baptismal fonts.

Architecturally, the Romanesque choir is distinguished by its full hanger cradle and cul-de-four, separated by a doubleau. A column arching encircled the Chamber, while the capitals, adorned with leaves and volutes, evoke an influence of ironwork. The facade, flanked by two square towers connected by a corbelled gallery, supports an arched bell tower. An inscription in a chapel attests to its foundation in 1545 by "L. M.", parish priest of "Vauris", in honor of God, Our Lady of Pity and Saint John the Evangelist.

The furniture includes a statue of Saint Philomena and baptismal fonts inscribed in the Palissy inventory. The church, which served 923 souls in 1841, illustrates the architectural and religious evolution of a village marked by conflict and reconstruction. Its adjoining cemetery and its position in the north of the village underline its central role in the community, from the Middle Ages to the contemporary era.

External links