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Saint Pierre and Saint Paul de Chenaud Church à Chenaud en Dordogne

Patrimoine classé
Patrimoine religieux
Eglise
Eglise romane
Dordogne

Saint Pierre and Saint Paul de Chenaud Church

    12 Le Bourg 
    24410 Parcoul-Chenaud
Église Saint-Pierre-et-Saint-Paul de Chenaud
Église Saint-Pierre-et-Saint-Paul de Chenaud
Église Saint-Pierre-et-Saint-Paul de Chenaud
Crédit photo : Jack ma - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
1600
1700
1800
1900
2000
Entre 1083 et 1098
Priory donation
1100
Church Consecration
Vers le milieu du XIIe siècle
Reconstruction of the choir
1615
Addition of the Chair
1688
Canonical visit
1897
Major renovation
5 janvier 1948
Partial MH registration
1997
Destruction of sacristy
Aujourd'hui
Aujourd'hui

Heritage classified

The choir and the pulpit: registration by decree of 5 January 1948

Key figures

Renaud de Thiviers - Bishop of Périgueux Consecrate the church in 1100.
Hélie Odon, Pierre, Géraud et Odon - Earth donors Offer Chassaigne land in 1100.
Jean Secret - Local historian Summons the 17th century chapels.
Architecte Téxier - Author of the plans (1897) Unrealized expansion project.
Pierre Pommarède - Researcher Discover two tables in 1998.

Origin and history

The church Saint-Pierre-et-Saint-Paul de Chenaud, located in the Dordogne department in Nouvelle-Aquitaine, finds its origins in the 12th century as a priory dependent on the abbey Saint-Étienne de Baignes. Between 1083 and 1098, the priory was given to this abbey, and in 1100 Bishop Renaud de Thiviers devoted the building to Saint Peter. The choir, rebuilt in the mid-12th century, features a Romanesque architecture marked by a dome on pendants and a semicircular apse. The capitals and archvolts, adorned with clubheads, bear witness to this period.

In the 17th century, the church evolved with the addition of a pulpit in 1615 and the mention, during a canonical visit of 1688, of two side chapels in the shape of a cross. The nave, initially without panel or glass, is described as poorly paved. These elements reflect the liturgical and architectural adaptations of the modern era, although the chapels have now disappeared. The current window of the nave actually dates from the 19th century, replacing an older vault.

The 19th century marked a phase of major transformations. In 1897, the church was largely remodeled: the nave was bent from a broken cradle, and the façade was rebuilt. The original project provided for an expansion of the transept, but the transept was not realized, as evidenced by the plans of the architect Téxier. The sacristy was destroyed in 1997. These changes illustrate the continuous adaptation of the building to the cultural and aesthetic needs of successive periods.

The church is distinguished by its unique ship architecture, combining a nave of three spans, a forechoir surmounted by a square bell tower, and a choir ending in semicircular apse. The exterior decorations, such as the arches in the middle of the hanger with diamond tips or the bays decorated with feasts, highlight his Romanesque heritage. Inside, the forearm dome and the apse cul-de-four recall Charentaise influences, while the posterior changes, such as the flat tile roof of the bell tower, reflect local choices.

Two paintings, representing Saint Como and Saint Damien holding pots of pharmacy, were identified in the church in 1998 by Pierre Pommarède. These works, although little documented, evoke the worship of the holy healers, common in medieval churches. The choir and pulpit, which have been listed as historic monuments since 1948, are the only protected elements of the building, highlighting their heritage value.

Former priory, the church of Chenaud was integrated into a wider religious network, linked to the abbey of Baignes in Charente. His consecration in 1100 by the bishop of Périgueux and his subsequent transformations reflect his local importance, between monastic heritage and parish adaptations. Today, the building, owned by the municipality, remains a testimony of the architectural and spiritual evolutions of the Dordogne over nearly a thousand years.

External links