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Saint John Baptist Church of Magneux dans la Marne

Patrimoine classé
Patrimoine religieux
Eglise gothique
Clocher-mur

Saint John Baptist Church of Magneux

    6 Rue de l'Église
    51170 Magneux
Ownership of the municipality
Église Saint-Jean-Baptiste de Magneux
Église Saint-Jean-Baptiste de Magneux
Église Saint-Jean-Baptiste de Magneux
Église Saint-Jean-Baptiste de Magneux
Église Saint-Jean-Baptiste de Magneux
Église Saint-Jean-Baptiste de Magneux
Église Saint-Jean-Baptiste de Magneux
Crédit photo : G.Garitan - Sous licence Creative Commons

Timeline

Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
XVe siècle
Initial construction
XVIIe siècle
Expansion or modification
29 juin 1905
Classification of the table
1920
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church: by decree of 10 January 1920

Key figures

Seigneurs de Magneux et de Tanières - Local nobility Six tombstones in the transept.
Léon Pressouyre et Jean-Pierre Ravaux - Authors and historians Cited in the *Dictionary of the Churches of France*.

Origin and history

The church Saint-Jean-Baptiste de Magneux, located in the Marne department in the Grand Est region, is a 15th and 17th century religious building. It combines two distinct architectural styles: a rustic nave, with narrow windows and a wooden ceiling, and a flamboyant, wide and bright octagonal bedside. This contrast marks the evolution of techniques and tastes between the two construction periods. The pillars, decorated with naïve capitals representing foliage, vines or characters, support crowns with head of death, adding a symbolic dimension to the building.

Ranked a historic monument in 1920, the church suffered destruction during the First World War, including the loss of its stained glass windows, of which a remarkable window remains in the southern transept. The bell tower-wall, atypical in the area, houses the bells, while six tombstones, scattered in the transept, recall the presence of the lords of Magneux and Tanières until the First Empire. A 15th century stone altar, classified in 1905, depicts ten scenes of the Passion of Christ, but bears traces of revolutionary degradations and successive conflicts.

The furniture and structure of the church reflect its turbulent history, between artistic heritage and the marks of political and military upheavals. The capitals, though naive, and the mortuary shields evoke a medieval symbol, while the destructions recall the violence suffered by the village. Today, the building remains a testimony to the architectural traditions of Champagne, mixing hardiness and flamboyant Gothic refinement.

External links